Bright Eyes, a truly inspirational and lyrically inclined project-headed by Conor Oberst, allows for great motivation and inspiration among the indie community. In 2005, Oberst released his authentic and completely original album I'm Wide Awake, It's morning. The album, in its entirety, is unique, mixing melodic themes and folk-inspired backgrounds. Yet Oberst's lyrics and almost exotic vocals seem to make the album that much better. Oberst has been commended for his lyrical content. Part of Saddle Creek records, the label developed under Oberst and his brother, entails various groups established in the indie, indie-folk genre. These groups only further display the genre's new prominence in the contemporary music industry.
I'm Wide Awake, It's Morning, contains multiple songs which established much recognition. "Lua, The First Day of my Life, and At the Bottom of Everything" seem to be popular songs on the record. Along with Oberst's loyal fans, many critics have recognized the album. In an article containing the "Top 10 Indie Albums," I'm Wide Awake, It's Morning retained its place as a high number. This place displays many fans support and new found recognition with the group. Although the album has been highly commended, I believe it is only a catalyst to Oberst's music. Much like Radiohead's critically acclaimed album, The Bends, Bright Eye's album only creates a new-found interest in the musician's work. Fans will typically discover earlier albums by the musician. Putting this aspect aside, I believe the album is a definitive example of an effective indie-folk album. As Bright Eyes enters its final album, Oberst's career will only continue to grow due to his various side projects, which have gained much recognition as well. I believe Oberst's musical intentions have allowed him to create inspiring music. Not to positively comment on all of Oberst's interactions in the music industry, I feel that his intentions and successes completely define his career. He has sucessfully established a name in the underground scene and has yet to contaminate his music with greed and fame. Although he retreats from the mainstream music industry, I feel that his music still enthralls the genre, while not disassembling his name. Oberst, a true revivalist in the music industry, has picked a wonderful time to end the Bright Eyes name.
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